SAM—Sydney Alumni Magazine publishes an article by Jonathan Pearlman about Freeman’s relationship successively as Hebrew teacher, friend, and biographer of Roddy Meagher.

• To read the article, click here.

A review of Art’s Emotions in the Notre Dame Philosophical Reviews concludes that the argument in Art’s Emotions “should make its way into the canon of expressivist theories alongside Collingwood and Bell.” The reviewer writes: “Damien Freeman takes on the monumental task of developing a theory of aesthetic experience that accounts for its emotional aspects, its ethical aspects, and the role certain kinds of aesthetic experience can play in a fulfilling life. Despite the enormity of the task, he does an excellent job in so few pages.”

• To read the review, click here.

A review of Roddy’s Folly in The Australian concludes that “Meagher’s story is surprisingly multifaceted and Freeman tells it fairly and well… as Freeman ably demonstrates, Meagher was a unique and important Australian”

• To read the review, click here.

The Spectator publishes an article by Freeman about the enduring relevance of the monarchy in Australia at the time of the Queen’s Diamond Jubilee celebrations in its Australian edition.

• To read the article, click here.

The Australian Financial Review publishes an article by Freeman exploring the friendship between Roddy Meagher and Michael Kirby.

• To read the article, click here.

Freeman is invited to address the Sydney Institute on “Larger than Life: Roddy Meagher QC”, in which he develops his previous discussion of political correctness in Roddy’s Folly. To read more, click here.

• To listen to a podcast, click here.

Roddy’s Folly is launched by the Hon. Tony Abbott MP at the Old Sydney Law School on 23 April. To read more, click here.

• To watch a video of the launch, click here.

Freeman spoke to Michael Duffy and Christopher Pearson about Tony Abbott’s analysis of conservatism and liberalism in Battlelines for ABC Radio National’s Counterpoint programme. To read more, click here.

• To listen to the interview, click here.